Many of our discussions in previous weeks have been about the intervening 10 years as much as they have involved what this project will entail. Our discussions have also revolved around situationist ideas and strategies, phenomenological understandings of environment and our engagement with people as artists and individuals.
Read Morethere is something really fascinating about revisiting, reworking and stripping back. Sanding down the floor of the studio, peeling back layers of varnish and paint that had become caked on the floor was both an incredibly satisfying feeling - like cleaning a dirty kitchen and then seeing it sparkle
Read More. . . the fact that there is much art out there that most of us will never be able to experience firsthand does not mean that there is no point in trying to experience or understand it.
Read MoreIn the midst of lockdown I felt like I should have been reading, disappearing in to worlds, escaping, but I needed to be present too. So I found that I could get lost in box sets, subtitled box sets, the best of both worlds present but not, reading and listening consumed as a whole.
Read MoreThere is something rather disheartening about opening up my computer each day to a raft of reminders and notifications telling me that I should be installing, opening, taking down yet another exhibition that has not happened.
Read MoreNotes From a Covid City
Read Morehe source material, a photo of a wrapped garden ornamental pedestal, was sent to me by my American pal and painter Peter Waite.
Read MoreFell:
Northern England and Scottish
a. a mountain, hill, or tract of upland moor
b. (in combination) fell-walking
Word origin
from Old Norse fjall; related to Old High German felis rock
Read MoreWas the sky ever so blue over my Ruhr Valley? Sun. It is warm. But there is no clatter of dishes from the balconies, no humming of people's voices in the cafés. The roaring of the airplane engines is also missing. The honking and screeching, the pattering and stomping, the too loud music of the neighbour, the annoying sound of the leaf blower.
Read MoreThis lockdown casting has another link with my Mum, in that I discussed the design for this triptych while sitting with her overlooking the sea at Runswick Bay in September 2013.
Read MoreHoward Eaglestone is an artist with more than 30 years experience teaching Art. He was Head of Painting on BA Hons Fine Art & Design at Bradford College.
Read MoreIan Pepper is a multidisciplinary figurative artist inspired by New Scottish Painting, German Expressionism and Outsider Art. He is chiefly interested in exploring human relationships and the ways in which people gather together to form different cultural groups.
Read MoreAs we move further into 2020 it is time for an update on what is happening here at BasementArtsProject with regards to our programme.
Read MoreBasementArtsProject’s first encounter with Michael Borkowsky was in 2014 when he was one of the artists to exhibit in Jamestown, New York with SCIBase; a collaborative project between Liverpool based SCI collective and BasementArtsProject. Since then Borkowsky has exhibited twice at BasementArtsProject.
Read MoreThe End
About a day before Easter we were awoken to strange noises coming from the direction of the window that had the scaffolding outside—as if workers were working on it—unlikely in the lockdown.
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