![Lockdown Journal: Dortmund Edition [Yol]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635756549798-2YHKYICM9NDGQX3NEKXO/Screenshot+2021-11-01+at+08.47.39.png)
During the Lockdown I received an update from the studio of Yol, and just before I left another video update arrived in which he appeared to be trapped inside the Coronaverse. I shall leave you with his emergency transmission.
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Howard Eaglestone is an artist with more than 30 years experience teaching Art. He was Head of Painting on BA Hons Fine Art & Design at Bradford College.
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CuratorSpace Courses is a course and workshop listing platform which we've built to let artists and arts professionals move their IRL courses online and list them for free during the pandemic. We’re hoping it will make it easier for people to make a living in these difficult times, as well as giving others a chance to learn something new while they are in lockdown or self isolating.
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Ian Pepper is a multidisciplinary figurative artist inspired by New Scottish Painting, German Expressionism and Outsider Art. He is chiefly interested in exploring human relationships and the ways in which people gather together to form different cultural groups.
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Alabaster for my brother’s 60th, made during the 2020 Covid-19 lockdown.
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As we move further into 2020 it is time for an update on what is happening here at BasementArtsProject with regards to our programme.
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This post from the studio of Ian Pepper, focuses on another aspect of his work which involves collage:
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The folks at Beyond Photography have devised a downloadable publication to assist people with their creativity during the lockdown period.
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BasementArtsProject’s first encounter with Michael Borkowsky was in 2014 when he was one of the artists to exhibit in Jamestown, New York with SCIBase; a collaborative project between Liverpool based SCI collective and BasementArtsProject. Since then Borkowsky has exhibited twice at BasementArtsProject.
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The End
About a day before Easter we were awoken to strange noises coming from the direction of the window that had the scaffolding outside—as if workers were working on it—unlikely in the lockdown.
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Day 6 – Phil Collins – Altered Images – Die Antwoord – Carla Bozulich – Face Value – Donker Mag – BITE – Septic Death – Pusmort – home – virus – grey – black – white – sick
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Allow me to introduce Harley and Parker. Harley is the tall one with the fabulous hair, and Parker is the short one with the sharp suits dress sense. Harley speaks in italics. They are BFFEs (Best Friends For Eternity because it sounds more ominous).
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the work i’ve made feels trapped, constrained, rationed even. one of these pieces uses just one sentence, which isn’t necessarily new but in this case it almost feels like i’m expecting words to run out, like toilet roll or handwash.
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Khansa Kadim is a neo-abstract figurative painter and graduate of Salford University. After taking a decade off from making work I have returned to art.
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Anyone who attended the ‘Feast of Beeston’ and ‘Welcome To My World’ exhibitions by Ian Pepper at BasementArtsProject will be familiar with an array of macabre characters such as Frankie Teabags and Edgar Allen Crow, and their distinct personalities.
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We are still only four months into 2020 yet January seems like an absolute lifetime away.
Friday 31st January was an interesting day for many reasons; it being the second time in a fortnight that I had managed to extricate myself from Yorkshire in the name of art pursuits.
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Beyond Photography is an exhibition, creative hub and online platform for publicising the work of unknown artists whose work push the medium photography, literally, Beyond Photography.
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‘Dwell Time’ is an award winning, not-for-profit arts publication reflecting on mental wellbeing. Produced and curated by Alice Bradshaw, Vanessa Haley & Lenny Szrama in collaboration with Penistone Line Partnership. Founded in 2018. Currently funded by Penistone Line Partnership, Community Rail Network, Northern & CrossCountry.
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Many years before BasementArtsProject, in fact quite a few before the Peripheral collective, before I left the Wirral I was involved as a volunteer with an art gallery called The Blackthorn. It was here that I had the pleasure of meeting and working with artist Chuck Hamilton and a couple of his colleagues from Savannah, Georgia USA. Chuck is the owner of the A.T Hun Gallery in Georgia. This post is for Chuck and The Hun
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As part of the Lockdown Journal I decided that at some point I would try and post something about work that I have produced myself; hence the Twin Peaks quote on the last BasementArtsProject journal page ‘Next time you see me it won’t be me!’. This time it is not BasementArtsProject it is me as Bruce Davies.
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