I have always considered a mix of experience and enthusiasm in the programme to be a healthy thing, as experience riffs off enthusiasm and vice versa.
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Many of our discussions in previous weeks have been about the intervening 10 years as much as they have involved what this project will entail. Our discussions have also revolved around situationist ideas and strategies, phenomenological understandings of environment and our engagement with people as artists and individuals.
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. . . the fact that there is much art out there that most of us will never be able to experience firsthand does not mean that there is no point in trying to experience or understand it.
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the work i’ve made feels trapped, constrained, rationed even. one of these pieces uses just one sentence, which isn’t necessarily new but in this case it almost feels like i’m expecting words to run out, like toilet roll or handwash.
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